Old Crow Medicine Show with Special Guest Dawes Headed to Cary

  • Old Crow Medicine Show, who has played some of the most renowned festivals and venues in the world, is headed to Booth Amphitheatre this September.
  • American Folk Rock Band Dawes will round out the bill.
  • Tickets on Sale Friday, May 4 at 10 a.m.

Old Crow Medicine Show with special guest Dawes will play Cary’s Koka Booth Amphitheatre on September 20, 2018. General Admission Lawn tickets are $35 and Reserved Seats and Reserved Table Seats are $40.

Old Crow Medicine Show started busking on street corners in 1998 New York state and up through Canada, winning audiences along the way with their boundless energy and spirit. They eventually found themselves in Boone, North Carolina where they caught the attention of folk icon Doc Watson while playing in front of a pharmacy. He invited the band to play at his festival, MerleFest, helping to launch their career. Shortly thereafter the band was hired to entertain crowds between shows at the Grand Ole Opry in Nashville, TN.

Tickets can be purchased at Booth Amphitheatre (Tuesday – Friday, noon – 6 p.m.), through etix.com, or by phone at (800) 514-3849. Etix phone hours: Monday-Friday/ 9 a.m.- 8 p.m. EST
Saturday/10 a.m. – 8 p.m. EST & Sunday/noon – 8 p.m. EST. There is a 10 ticket limit.

OCMS Bio:
It’s been over nineteen years since Old Crow Medicine Show’s humble beginnings. The band has gone on to receive the honor of being inducted as members of the Grand Ole Opry, and have won two Grammy Awards: “Best Folk Album” for Remedy (2014) and “Best Long Form Music Video” for Big Easy Express (2013). Additionally, their classic single, “Wagon Wheel”, received the RIAA’s Platinum certification in 2013 for selling over 1,000,000 copies.

Old Crow Medicine Show has toured the world playing renowned festivals and venues such as: Bonnaroo, Red Rocks Amphitheater, Cambridge Folk Festival, Coachella, London’s Roundhouse, The Ryman Auditorium, The Barclays Center, New Orleans Jazz Fest, The Fox Theater Atlanta, The Kennedy Center Concert Hall, Summerstage in Central Park NYC, Forecastle, the Newport Folk Festival, and several appearances on A Prairie Home Companion. They’ve toured with artists such as Willie Nelson & Family, Brandi Carlile, Mumford & Sons, The Lumineers, John Prine, The Avett Brothers and others.

In 2011 Old Crow found themselves embarking on the historic Railroad Revival Tour with Mumford & Sons, and Edward Sharpe & the Magnetic Zeros. This tour had the bands riding a vintage train from California to New Orleans, playing shows along the way. The magic of this musical excursion across America’s vast landscape is captured in the Emmet Malloy directed documentary, Big Easy Express.
Old Crow Medicine Show now have five studio albums to their name, three of which were released by Nettwerk Records – O.C.M.S (2004) and Big Iron World (2006) produced by David Rawlings, and Tennessee Pusher (2008) produced by Don Was. In 2012, ATO Records released the Ted Hutt produced, Carry Me Back, on which they continued to craft classic American roots music. The band’s latest album, Remedy (2014), released by ATO Records and also produced by Ted Hutt includes new Old Crow classics like “Sweet Amarillo,” “8 Dogs 8 Banjos,” and “Brushy Mountain Cojugal Trailer”.

In 2017 Old Crow Medicine Show released two albums: Best Of Old Crow Medicine Show (Nettwerk) and 50 Years Of Blonde On Blonde (Columbia Nashville). Best Of is comprised of fan favorites from Old Crows’ three Nettwerk released albums, as well as two previously unreleased tracks. 50 Years of Blonde On Blonde is Old Crow’s reimagined version of Bob Dylan’s classic Blonde On Blonde album. Released via the historic Columbia Records label, it finds Old Crow Medicine Show exploring new territory while paying homage to their biggest influence.

Dawes Bio:
Dawes has come home. After recording its last two albums, Stories Don’t End and All Your Favorite Bands, in Asheville, North Carolina, and Nashville, respectively, the Los Angeles band has returned to the city that has been both home and inspiration since its inception in 2009 to record its fifth album, We’re All Gonna Die, with longtime friend and Grammy nominated producer Blake Mills at the helm.
It was clear from the onset that home was much more than a physical place for Dawes. It was a state of mind. For the band-guitarist/singer Taylor Goldsmith, drummer Griffin Goldsmith (Taylor’s younger brother), bassist Wylie Gelber, and new keyboardist Lee Pardini, who took over from Tay Strathairn last fall-it also meant getting to a point where everyone felt they had found a sound that was uniquely their own, equivalent to an author finding their own voice.

“The dream has been not to have someone say, ‘You sound like Warren Zevon in this song or Bob Dylan with this song,’ but where someone hears a first few notes of a track, even before the words come in, and they know it’s Dawes,” says Taylor Goldsmith. “And they say, ‘That’s Wylie, that’s Griffin, that’s Taylor, that’s Lee. That’s the way they play together.'”

“I think we’ve finally done that on this record.” All of their records seemed to have been in service to getting to that point, each album willfully different, every one a point on a continuum. First, the acoustic-based folk-rock and close harmonies of North Hills that brought to mind nothing so much as the Band’s Music From Big Pink. The cosmic country-rock of Nothing Is Wrong, an album that conjured up visions of Gram Parson’s Nudie suits. The smart, wordy, Joan Didion-inspired Stories Don’t End, then the literate, post-breakup yowl of All Your Favorite Bands, with its crisp lyrics and Dire Straits guitars, masterfully capturing their live genius in a way none of their other albums had.

It’s something that fans hardly expect from Dawes, which has always bridged generations and genres, writing music you feel you already know, with a familiarity and a resonance that seemed to echo from earlier times in rock’s great canon. It’s one of the reason they have found great favor with classic rock artists such as John Fogerty, opening up for him, acting as backing band for Jackson Browne and Robbie Robertson, even appearing on Robertson’s album How to Be Clairvoyant. In 2013, they opened for Bob Dylan for six weeks.
“What I like most is the risks we’ve taken. I know we have always taken steps that help us get to the next level even when we don’t know where it’s going to take us. But we just know that it will take us somewhere. And it has. It’s taken us to a place that feels right.”

For complete concert information call (919) 462-2025.

PRIMARY CONTACTS: Teresa Franzen, Publicist, T. Franzen, Inc., (919) 210-5150
Liz McDonald, General Manager, (919) 462-2024
Lyman Collins, Cultural Arts Manager, (919) 462-3861
Deanna Hawkes, Deputy Public Information Officer, (919) 462-3908

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