• Koka Booth Amphitheatre is a cashless venue.
• Children 2 and under are free on the lawn for this event and do not need a ticket. All ages will require a ticket for the Gold Circle or Reserved Table Area. 
• There is a strict (8) ticket limit per show.
• Day of Event Box Office sales opens 1 hour prior to gate time and closes once the main act takes the stage.
  • Hours are subject to change. 

Taxes & Fees:

• Koka Booth Amphitheatre uses all-in pricing. The total price listed on the purchase page includes ticket fees, excluding any applicable taxes.
• When purchasing in person at the Box Office a 3% processing fee will be added to each order, plus tax. No other ticket fees will be applied. 

All dates, times, acts & ticket prices are subject to change without notice.

Koka Booth Amphitheatre has enhanced it's public safety policy to include a clear bag policy. 

Allowed:

• Bags 6"x 8" or smaller are permitted.
• Clear bag that does not exceed 12" x12" x 9".
• Medical and parenting bags. 

All bags are subject to search. 

Few bands stick around for thirty years. Even fewer bands leave a legacy during that time that marks them as a truly special, once-in-lifetime type band. And no band has done all that and had as much fun as Leftover Salmon.

Since their earliest days as a forward thinking, progressive bluegrass band who had the guts to add drums to the mix and who was unafraid to stir in any number of highly combustible styles into their ever evolving sound, to their role as a pioneer of the modern jamband scene, to their current status as elder-statesmen of the scene who cast a huge influential shadow over every festival they play, Leftover Salmon has been a crucial link in keeping alive the traditional music of the past while at the same time pushing that sound forward with their own weirdly, unique style.

The band now features a lineup that has been together longer than any other in Salmon history and is one of the strongest the legendary band has ever assembled. Built around the core of founding members Drew Emmitt and Vince Herman, the band is now powered by banjo-wiz Andy Thorn and driven by the steady rhythm section of bassist Greg Garrison, drummer Alwyn Robinson, and dobro player & keyboardist Jay Starling.

The current lineup is continuing the long, storied history of Salmon which found them first emerging from the progressive bluegrass world and coming of age as one the original jam bands, before rising to become architects of what has become known as Jamgrass and helping to create a landscape where bands schooled in the traditional rules of bluegrass can break free of those bonds through nontraditional instrumentation and an innate ability to push songs in new psychedelic directions live.

Salmon is a band who for more than thirty years has never stood still; they are constantly changing, evolving, and inspiring. If someone wanted to understand what Americana music is they could do no better than to go to a Leftover Salmon show, where they effortlessly glide from a bluegrass number born on the front porch, to the down-and-dirty Cajun swamps with a stop on Bourbon Street in New Orleans, to the hallowed halls of the Ryman in Nashville, before firing one up in the mountains of Colorado.

The Infamous Stringdusters are a celebrated American progressive bluegrass band known for their virtuosic musicianship, innovative arrangements, and genre-blending style. The GRAMMY® Award-winning Americana quintet—Andy Falco [guitar], Chris Pandolfi [banjo], Andy Hall [dobro], Jeremy Garrett [fiddle], and Travis Book [double bass]—have musical influences that truly run the gamut, but their common denominator is certainly bluegrass— the sound that has in essence defined the course of their career.

The Infamous Stringdusters stand out as the rare group who can team up with contemporary artists on late night television one night and headline the legendary Red Rocks Amphitheatre the next, and have recently emerged as proprietors behind their newly found independent record label, Americana Vibes.

Manifesting an actual flock of impassioned fandom, much like those who paved the road before them, the band have attracted a faithful international audience that continues to grow. Moreover, their powerful music and performances paved the way for a GRAMMY® Award win in the category of “Best Bluegrass Album” for 2017’s Laws of Gravity, and a number of International Bluegrass Music Awards (IBMA) in a variety of categories. Known for their energetic live shows and improvisational prowess, The Infamous Stringdusters continue to push the boundaries of bluegrass while honoring its roots, captivating audiences across the country and around the world.

 

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The Infamous Stringdusters, have released Songs from the River, their first true compilation album featuring select catalog tracks that fit the theme of rivers. This 24-song compilation is available now via their label Americana Vibes in partnership with Regime Music Group. The release comes in tandem with the band’s upcoming ‘Nights on the River’ tour they will embark on throughout the summer into the fall occurring in primarily river towns across the country. Listen to the compilation HERE.

In Dante’s Inferno, the author grapples with sin, its various manifestations, and its consequences. This time ultimately traces a trajectory of self-realization, acceptance, and accountability. Kitchen Dwellers embark on a similar odyssey over the course of their fourth full-length offering, Seven Devils. The Montana quartet—Shawn Swain [Mandolin], Torrin Daniels [Banjo], Joe Funk [Upright Bass], and Max Davies [Acoustic Guitar]—thread together an immersive and inimitable conceptual arc inspired by Dante’s Inferno and set to a soundtrack of folk-infused bluegrass spiked with psychedelic vision and rock energy.

 

Continuing their own journey as brothers, they deliver their most ambitious and anthemic body of work yet.

 

“These tunes deal with the human experience, and Torrin initially drew a parallel between the music and Dante,” Max states. “We explored the connection by correlating each song with a sin. Some of these connections are only apparent if you dive deep into the lyrics. Our goal is to essentially take the listener through our own interpretation of the Inferno story.”

 

“We didn’t go into the studio with the intent of making a concept album,” recalls Torrin. “I was driving around listening to everything, and I noticed these parallels. To dive deeper, we’re discussing topics like mental health, the human condition, and what we go through on the road. In life and music, everything is recurring and universal. I was reading Dante at the time, and it naturally fit.”

 

It proved to be a logical next step as well…

 

Thus far, Kitchen Dwellers have engaged and enraptured listeners with albums such as Ghost In The Bottle [2017], Muir Maid [2019], Live from the Wilma [2021], and Wise River [2022]. Of the latter, Holler. praised how “Kitchen Dwellers have preserved their sense of youthful experimentation,” and Relix proclaimed, “The songs on the new record build on this range, while also reflecting on the group’s Bozeman, Montana home.” Between tallying millions of streams, the band ignited hallowed venues such as Red Rocks Amphitheatre and graced the bills of Telluride Bluegrass, Northwest String Summit, WinterWonderGrass, and beyond.

 

In order to bring Seven Devils to life, the musicians opted to work with producer Glenn Brown. It would not only mark their first time collaborating with the producer, but it also would be the first time they decamped to Michigan in order to record.

 

“The studio itself definitely impacted the vibe,” Torrin notes. “It’s a tiny workspace, but it’s full of old recording equipment with legendary stories attached to it. For almost the entire time, we were forced to congregate in this room together. The process was ever-evolving, because ideas kept flowing.”

 

Fittingly, “Seven Devils (Limbo)” opens the album and serves as the first single. Nimbly picked banjo and upbeat acoustic guitar set the pace as the regretful chorus bemoans, “Am I supposed to hop the next train? Or stand here drowning in the Oregon rain?” A guitar-driven bridge dips in and out of effects-laden echoes and stark strumming. Coming full circle, a ten-minute version of “Seven Devils” later bookends the record with an epic finale.

 

“I incorporated some elements of grunge in terms of the chords, which are a little dissonant,” Torrin elaborates. “Thematically, it’s the descent into Hell. First, Dante goes through limbo before reaching any of the circles where the cardinal sins are addressed. ‘Seven Devils’  evokes the feeling of being in limbo.”

 

“It also signifies you’re embarking on some type of journey,” Max agrees. “By the end of the LP, you know the protagonist isn’t going to be the same person.”

 

Then, there’s “The Crow and The Raven (III).” The track’s emotionally charged vocals seesaw on top of strings in a moment of terse reflection. “I went through a horrible breakup in 2018 when I wrote the first version,” Shawn remembers. “‘The Crow and The Raven (III)’ sat in my notebook for a half-decade before we revamped it. Now, it’s a sad, slower lament about enduring the loss of a relationship.”

 

“Pendulum” rushes towards a mournful refrain offset by a plucky crescendo. “It’s about dealing with an addiction in your life and how it affects relationships,” Joe says. “People often trade one addiction for another, whether positive or detrimental to their life, as a means to satisfy their baseline addictive tendencies.”

 

On the other end of the spectrum, “Here We Go (VI)” laments the epidemic of shootings in America with unfiltered frustration projected through a powerful ebb and flow punctuated by a cameo from Lindsay Lou.

 

“I was riding a Greyhound from Seattle to Missoula in 2012,” Max goes on. “There had just been another school shooting. It’s terrible to think of how many shootings have happened since. Why is this happening? The chorus shifts gears to miscommunication between two parties in a relationship. Those are the two driving forces.”

 

An electric guitar lead heralds the onset of “Unwind (Paradiso),” building towards one climactic moment of catharsis.

 

“A psychedelic experience and life-changing ego death changed my outlook on many things,” Torrin admits. “‘Unwind (Paradiso)’ was one of those moments where you surrender and let it take you. You’re letting go of the human things in your brain that make you want to fight or cause you to be afraid. It also came together in the studio as a band, which was super cool.”

 

In the end, Kitchen Dwellers may just leave you changed with Seven Devils.

 

“The record is a trip inward within the self,” Torrin concludes. “It tackles a lot of things in the world people try not to think about. The reality is we’re only truly happy when happiness comes from within. That’s the message.”

Outside Food & Beverage are not allowed for this event.  You are allowed to bring one factory-sealed plastic bottle of water (1 per person). No glass/cans/flavored water. 

Our Concession stands will be open selling a variety of food and beverages. Check back later for menu offerings.   

Restaurant partners will be available to pre-order food and have ready upon your arrival. Check back later to see our Picnic in the Park partners. 

We pride ourselves on bringing a wide variety of events to Cary, NC. What our guests are allowed to bring into each event varies from event to event.   Please review the event page you are attending for specific information regarding that event. 

Guests can bring the following items to Concerts:

• Bags 6"x 8" or smaller are permitted.
• 12" x12" x 9" Clear bags only.
• Factory-sealed plastic bottles of water (1 per person). 
  • No glass/cans/flavored water.
• Empty reusable non-glass water bottle up to 1 Liter. 
  • Water Fill Stations located in the Cobblestone Courtyard.
• Camping Chair. No footrest, canopy, lounge chairs, tri-fold chairs, or swinging chairs. See examples. Please remove chair from bag at security checkpoint. 
• Rain Coats.
• Ponchos.
• Strollers (allowed on the lawn only).

All small clutches & clear bags are subject to search.

Prohibited items MUST be returned to guests’ vehicle before entering.  

Please leave the following items at home:  

• Alcohol
• Bags  (Unless clear & approved size)
• Backpacks
• Balloons, Banners & Signs
• Blankets, Towels, Mats of any kind including Yoga Mats
• Brochures/Stickers/Handouts
• Confetti/Glitter
• Coolers
• Drones
• Fireworks
• Food & Beverages
• Go Pros, Audio or video recorders
• Grills & Open Flames
• Hammocks
• Hula Hoops
• Illegal Drugs
• Laser Pointers
• (Select) Lawn Chairs: No Footrest, Canopy, Lounge, Tri-Fold or Swinging Chairs.
• Noise Makers
• Pets of any kind (excluding service animals)
• Professional cameras with detachable lenses
• Selfie Sticks
• Sporting Equipment
• Tables of any size
• Tablets of any kind
• Tarps & Plastic sheeting
• Tents/Staking
• Umbrellas of any size
• Wagons/Carts
• Weapons of Any Kind (Include but not limited to knives, guns, tasers, chains, mace, studded/spiked jewelry)

PREMIERE PARKING: A limited number of Premiere Parking will be available for $25.00 in advance or $30.00 on the day of the show, if spaces are available.

PREFERRED PARKING: A limited number of Preferred Parking will be available for $20.00 in advance or $25.00 on the day of the event, if spaces are available. Parking spaces will be held across from the Main gate. Pass entitles 1 car to park in the Preferred Parking section in the BACK of the Preferred Lot.

PURCHASE PARKING

• Parking passes may be purchased at the box office in person, by phone through Etix or online at etix.com.  

• Parking lots open 1 hour before venue gates open.
• Purchasing a Parking Pass is NOT a ticket for the event, and is not valid for entry into the event.
• Please present your Parking Pass upon arrival. 

GENERAL PARKING: Koka Booth Amphitheatre has approximately 1500 free spaces available.  Parking is free of charge in Amphitheatre-owned lots. Some local businesses may charge a fee for parking in their lots.

ACCESSIBLE PARKING: A limited number of accessible parking spaces are available on a first-come-first-served basis with the proper hang tag or license plate.

DROP OFF & PICK-UP AREA: If using a taxi, Uber, etc please follow the signs & our Parking Staff to the drop-off/pick-up area. Rideshare Address: 11000 Regency Parkway Cary, NC 27518

If using Taxi Service/ Uber / Lyft or dropping off a friend/family member; Koka Booth Amphitheatre has a DESIGNATED drop off & pick up area. For the safety of all patrons please follow the signs to this designated area when arriving at the venue. Please do not drop off or pick up in any other areas.